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    The Music of Central Asia 

    Type: Journal Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2017
    Abstract:

    How central is the music of Central Asia? Before discussing the music of Central Asia, we need to raise an epistemological question: whose perspective makes it central? Reaching almost 700 pages and trying to be politically ...

    The Thousand and One Nights and Twentieth-Century Fiction: Intertextual Readings 

    Type: Journal Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2018
    Abstract:

    Molded after Persian and Indian examples and transferred through a Persian collection called Hazar Afsaneh or Thousand Tales, Thousand and One Nights traveled along the Silk Road to reach the West through the French ...

    Intertextual Dystopia of A Scanner Darkly: Philip K Dick’s Novel and Richard Linklater’s Movie Adaptation 

    Type: Journal Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2016
    Abstract:

    A Scanner Darkly (1977), Philip Dick’s dystopian science fiction is a requiem for human identity. For Dick, the mutability of ‘identity’ and ‘reality’ equals the MacDonaldazation of society. In post-9/11 era, Linklater’s ...

    Anxious Masculinity: A Comparative Study of Philip Dick’s Scanner Darkly and Richard Linklater’s Adaptation 

    Type: Journal Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2016
    Abstract:

    This article aims to encourage a comparative approach to studying

    literature and film focusing on the decontextualizing, as well as recontexualizing

    of masculinity. It emphasizes on gender anxieties represented ...

    Being Muslim in Central Asia: Practices, Politics, and Identities. 

    Type: Journal Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2019
    Abstract:

    The tensions between Islam and the West have a long history going back to the Crusades. The terrorist attacks that marked the post-9/11 era have polarized and simplified this narrative where the War on Terror is mostly ...

    Power Play and the Space in ‘Feminist . . . Male Directors’ 

    Type: Conference Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2013
    Abstract:

    Benefiting from the tenets of Comparative Cultural Studies, this article illustrates the role of power and patriarchal discourse in Ten (dir. Kiarostami, 2007) and The Circle (dir. Panahi, 2000). Though Foucauldian notion ...

    World Wide Web and Intertextual Postmodernism in Media 

    Type: Conference Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2010
    Abstract:

    Shifts in narrative viewpoint or authorial perspective bring about the birth of a new kind of textuality. These new texts (i.e. hypertexts, intertexts) are infinitely flexible and manipulative while shattering readers’ ...

    The Adaptation(S) of Adaptation In Fractal Paintings of Farshchian as Fine-Popular Art 

    Type: Conference Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2010
    Abstract:

    Utilizing mathematics and geometry in artistic discourses has been long practiced all over the world: from architecture of Persepolis, Islamic and Renaissance designs to graphic arts of Escher (20th c.) and Persian miniature ...

    Projection as Catharsis: God-Adam-Satan-Eve, a Damaged Family in Milton’s Paradise Lost 

    Type: Conference Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2008
    Abstract:

    Milton’s Paradise Lost has been an influential work in shaping Western society and, consequently, family as the base of society. Paradise Lost’s power lies in “‘allegorizing and psychologizing’ what Milton gives” (Murray, ...

    Cinema and New Historicism (سینما و تاریخ گرایی نو) 

    Type: Conference Paper
    Author : عذرا قندهاریون; Azra Ghandeharion
    Year: 2009
    Abstract:

    با استفاده از اصول نقد تاریخ-گرایی نو در بررسی متون، نگاهی دقیق به فیلم گبه نشانگر ارتباط بین گفتمان غالب و فرهنگ عامه ی ایران است. علی رغم ادعای کارگردان مبنی بر رویکرد روشنفکرانه و عدم تاثیرپذیری از فرهنگ عامه ، او نیز ...

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